Between the Lines Crossing Art (日新月艺)转型为推广纽约当代艺术的平台后,首次的大型展览将于5月30日于Crossing 360艺文空间登场,此次的展览主题为Between the Lines艺术边界,这个结合三位纽约艺术家Zaun Lee、TJ Volonis与Scott Fitzgerald以边界与线条为表现主题,艺术家们以雕塑、装置艺术与多媒体等不同的表现方式来重新定义心目中关于线条与平面概念。艺术家更希望观众在欣赏这些作品时能将自己置身于具体与抽象的空间中,打破传统对于线条与边界的概念,体验空间结构的无限可能。 详细艺术家英文简介请见下列说明: Zaun Lee attended College of Fine Arts at Seoul National University and graduated from Alfred University with a Bachelor of Arts in Philosophy and subsequently earned a Bachelor of Fine Arts in Painting at Pratt Institute. She was featured in exhibitions throughout the United States and South Korea including solo exhibitions, "My No Man's Land," Rotary Ice House Gallery, Monmouth University, NJ, 2013; "Borders," Coohaus Art, New York, 2013; and group exhibitions at Longwood Art Gallery, the Bronx Council on the Arts and at the Jamaica Center for Arts in New York. TJ Volonis explores in his work the relationship between the fragment and the whole. Using patterns, either in detail, or in their entirety, he creates complex compositions comprised of copper that not only symbolize the emergence of civilization through road grids, but also speak to our pixilated presence in the digital age. Though his designs have an aura of chaos, they are as inherently stable as the right angles that bind them together. TJ Volonis received a BA in Japanese Studies from the University of Massachusetts at Amherst in 1999. A self-taught artist, TJ entered one of his earliest pieces (Chair, #2) in the 2005 GLAAD OUTAuction where he won the award for Best Emerging Artist – Mixed Media. That same chair also appeared in the May 2012 edition of Elle Décor Magazine. He continued his work with copper by making tables, chairs, and other functional works of art and in 2008 expanded his work into a series of wall-mounted sculptures. His work has appeared in: Elle Décor, Lonny Magazine, Freshome, Design Milk, Artsicle, Gotham Gazette, Examiner.com, and the Brooklyn Paper and was also selected as one of NYC’s top emerging artists in December of 2011. Scott Fitzgerald examines the interdependence of culture and technology, and how physical spaces can be altered through digital manipulation. For this exhibition he has installed two works which utilize the movement of light to expose both the stability and precariousness of line. “Karman,” a work split into two animations, references the invisible “boundary” between Earth’s atmosphere and outer space. A line, which in reality is in flux, is here imagined as a fixed point, separating the viewer from the universe. “Retracement,” a work which uses lights as both a screen and as a source of illumination, projects animations which never repeat themselves. The layout of the lights, based on the well-known Fibonacci sequence, presents a path that is as surprising as it is captivating. Scott Fitzgerald received a Master's from NYU’s Interactive Telecommunications Program where he studied interactive video art and physical computing. His work has been exhibited and installed around the globe, including a permanent site-specific work at the University of Oslo and temporary public work in New York City's Times Square. He regularly runs workshops on using technology in the arts and is the head of documentation for the open source Arduino platform. Scott is currently an Assistant Professor and head of the Interactive Media program at New York University Abu Dhabi. New York | Shanghai |