"Painting the best way to objects in between like and do not like; too much like the readers to think too ordinary, boring, not as it is to deceive the people of the world (readers)." This is the generation of master baishi-qi elderly sentiment , But also the aesthetic Interest of the Chinese nation.

中国画和油画的区别主要有以下几点；

（1）中国画出现的时间早于油画，仅就成型的绘画作品来说，中国画是在东晋时期（约公元304-589年）成型的，油画的成型至少要到中世纪的文艺复兴时期。

（2）中国画历史遥追数千年,为中华传统艺术之瑰宝。中国画最大的特点是诗、书、画、印的作品构成以及画作本身含就的中华文化底蕴是别于西方绘画艺术的最大特点；中国画是集文学、艺术为一体的结晶、瑰宝。因此，油画是没得比的。

（3）中国画采取的是散点透视法，油画采取的是焦点透视法，所以中国画可以画出大范围的人物风景画（如清明上河图）而油画不能，油画能画出物体强烈的质感效果而中国画不能。

（4）中国画一般不采用重彩，颜色的种类较少，油画的色彩程度很重，使用的颜色也很多。

（5）中国画很重视装裱，油画对此基本忽略。

（6）中国画一般都结合私人的书法衿章与题字，而油画基本没有。

（7）中国画发展过程中，流派相对固定且分化不大，油画发展过程中流派众多且分歧也大。

Chinese paintings and oil paintings are the main difference between the following points;

(1) Chinese painting as early as the time painting, forming the only paintings, Chinese paintings in the Eastern Jin Dynasty period (304-589 AD), molding, painting the molding at least the Middle Ages to the Renaissance.

(2) Chinese painting history of remote recovery for thousands of years, traditional Chinese art treasures. Chinese painting is the biggest characteristic of poetry, books, paintings, seal the works, and a painting on their own with the Chinese cultural heritage in Western painting is not the most important feature of the arts; Chinese painting is set literature, the arts as one of the crystallization of gems. Therefore, the painting is better than no.

(3) Chinese painting is taken by the casual point perspective, the painting is taken by the Focus Lens, so Chinese painting can draw a wide range of landscape painting figures (such as the "Riverside Scene of Pure Brightness") and not painting, oil painting can draw the object strongly Chinese painting and texture effects can not.

(4) Chinese paintings do not normally re-used color, color, the type less, the color degree of heavy oil painting, the use of the color of a lot.

(5) attaches great importance to mounting Chinese paintings, oil paintings were largely ignored this.

(6) Chinese paintings are generally a combination of private and Zhang Jin calligraphy inscriptions, and basically no oil painting.

(7) in the development of Chinese painting and schools relatively fixed and not divide, in the development of oil painting and many schools have big differences.

本应是东西方并行的两大画派——西方的油画、东方的中国画并驾齐驱；但如今的结果是：一个是“营养过剩”（油画），而另一个是严重的“营养缺乏”。这些是因为东西方所存在的文化背景、人文习惯、经济发达与否等诸多因素的影响所至；所以造成了国际社会对西方绘画——油画的宠爱倍致，对东方绘画——中国画的很大的漠视。而这种“漠视”会将导致一个我们十分不愿意看到的结果——“适者生存”。也许现在或不久的将来中国画会“变异”；它将“变异”为艺术价值低廉、没有笔墨、没有诗情画意、没有“三远”（没有中国画特性）的，在外界的压力下所派生出来的“畸形儿”——只有怪异的色彩、块面和特殊技法（材料）所表现的肌理效果；即所谓“创新的中国画”。

因此，我在此恳请：发达国家爱好艺术（特别是爱好东方艺术）的团体或朋友们，请你们为保护世界艺术宝库中的一棵绚丽夺目的奇葩——中国画，而进自己的一份力吧！

另外：要想让中国画真正能受到世界各国人民的喜爱，就必须把中国书画“学习、培训”班办到世界各国去；而今，随着中国文化的国际交流，中国文化体制的改革，中国文化艺术的瑰宝——中国书画将越来越受到世界各国人民的了解与喜爱，中国书画“学习、培训”班办到世界各国去的梦想即将成为现实；也只有当世界各国喜爱艺术的人们通过学习、了解并懂得欣赏中国书画作品艺术的“真谛”才能去喜爱、保护中国书画的健康发展；相信到那时中、西方绘画价格的差距才能有所改善。我们期盼那一天能早日到来！

This should be the two major East-West parallel School - Western oil paintings, Chinese paintings keep pace with the east, but today's result: a "nutritional excess" (painting), while the other is a serious "lack of nutrition。" These are the things that exist because of cultural background, cultural habits, economic development or not, and many other factors caused by the impact; As a result of the international community to Western painting - painting the times of love, the Oriental Painting - Chinese Painting Great indifference。 This "ignore" We will lead to a very reluctant to see the results - "survival of the fittest。" Perhaps now or in the near future Chinese Painting "variation" it will "skin" for the artistic value is low, no ink, no poetic, not the "three far" (without the characteristics of Chinese painting), in the outside world under the pressure of the derived " Deformed children "- only strange colors, block-and special techniques (material) by the performance of the texture effect the so-called" innovation of Chinese Painting。 "

Therefore, I urge this: the developed countries-loving art (especially Oriental art-loving) groups or friends and ask you to protect the world's treasure house of art in a magnificent display of wonderful work - Chinese painting, into a force of its own !

In addition: to get the Chinese paintings can really be the peoples of the world's favorite, Chinese paintings and calligraphy on the need to "study and training" classes around the world to do so; Now, as China's international cultural exchanges, the Chinese cultural system reform, Chinese culture Art gems - will become more and more Chinese paintings and calligraphy by the peoples of the world's understanding and love of Chinese painting "study and training" classes around the world to do the dream will soon become a reality only when all countries in the world people love the arts through study , Understand and know how to appreciate Chinese paintings and calligraphy works of art "true meaning" in order to love and protect the healthy development of Chinese painting; believe that by that time, the gap between the prices of Western painting can be improved。 We look forward to an early arrival of that day!

注·本文参考的文献：1、《中国绘画史》潘天寿著 ；2、《中国书画鉴赏辞典》；3、《中国画色彩学》；4、《中国书画报》；5、《国画家》；6、《翰园书画报》；7、《中国书画艺术报》香港版。8、《中国画往何处去?许群 》；9、《论当代中国画的发展方向与画家的自我追求》等

Note · paper reference literature: 1, "the history of Chinese painting," a Pan Tianshou, 2, "Dictionary of Chinese painting Appreciation"; 3, "Chinese paintings of color"; 4, "Chinese Painting and Calligraphy", 5, "the painter"; 6, "John Park painting", 7, "Chinese painting and calligraphy art" Hong Kong version. 8, "Chinese paintings to where to Xu Qun ?" 9, "On the development of contemporary Chinese art direction and the painter's self-seeking."

本文作于2003年10月（08年8月修改）      

shaohua-gu

In this paper, as in October 2003 (August 08 reorganization)

有完整图片的地址：http://bbs.zjdart.com/viewthread.php?tid=16110&extra=&page=1

作者简介：顾绍骅  男 、一九六三年五月二十二日生 、 籍贯： 四川省巴县人(武汉市出生)、砚池书画社社长、湖北省书画研究会理事、中国文化艺术发展促进会会员、中国书法国画研究会中国书画导师、“中国书画学会副主席、中国民族艺术家协会副会长、中国兰亭书画院副院长、世界教科文卫组织专家成员、“中国书画艺术百杰”。 其书画作品做到了“诗情画意，师古而不泥古；在笔墨及用色上有自己的特色，曾得到刘大为、沈鹏、史国良等老师的赞评。（顾绍骅中国书画作品选：http://v.ku6.com/special/index_3590944.html  ）

联系住址：武汉市江岸区堤角小区3-1-202   邮编：430011

电话：086-13308635298    E—minl: gushaohua2@sina.com,QQ:1072494751

About the author: Gu Shaoyuan Hua, M, May 22, 1963 Health, country of origin: Pakistan County in Sichuan Province (born in Wuhan), Wuhan Institute of Education Department of Chinese graduate teaching and research of Fine Arts in Wuhan City Council members, teachers, the backbone of Fine Arts in Wuhan City, Hubei Province Research director of painting and calligraphy, Chinese Culture and Arts Development Association members, Chinese calligraphy and Chinese painting for the study of Chinese painting and calligraphy instructor, "Chinese Painting and Calligraphy Institute, vice chairman of the Chinese Artists Association, vice president of the nation, the Chinese Painting and Calligraphy Institute, vice president of the Orchid Pavilion, the World Methodist Education, Science, Culture Organization Members of the expert.

Contact Address: District of Wuhan City Jiangan embankment Kok District City Star Park opened 3-1-202 Zip code: 430011

Phone :086-13308635298 E-minl: gushaohua2@sina.com    qq:1072494751