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兩張照片的吸引力
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*照片取自去年Manager綱報
去年2010年十一月間，在綱絡上看到在香港赤臘角飛機場裡舉辦了一場電子動態版之亞洲文化展欖__北宋風俗巨畫：“清明上河圖”。其雄偉壯觀的場面吸引了千千萬萬愛好者和審美觀眾之參與和闕注。不少人都為此巨幅視覺創作所吸引而驚嘆不已，也為此罕見作品嘉以評語和感受。對於藝術之欣賞和領略，每一個國家的人都有同一樣之審美感念和響往。光是看場面，大家都是趨之若騖，全情以赴，人潮洶湧，擠得水泄不通。真希望有那種機會可從容地站在這幅傳世巨作之前面，充當一名小小觀眾，領略到此種樂趣無比的觀賞機會？奈何時日已過，祇能停留于夢想和記憶中。…
今年2011十月三日的“美國中文綱”中，也同樣地可看到文友：葉影濃大姐(Suzannema)以精湛的技術在一個美術博物館裡拍了一則巨幅的大觀園之精緻圖片，畫面之龐大也不比“清明上河圖”的小，是一張難得又壯觀的攝影作品，表現出她獨特的眼光，把自己的觀感搬到圖片上。當然，也照樣給予人們富有藝術的觀賞價值。我想：若能默默地佇立於巨畫之面前，一定可領略到同一樣藝術中那種轄達、豪邁而又清新之氣概。
生活在紐約，對於觀賞一些藝術或文化創作，有時倒也覺得均可隨遇而安地不用捨近求遠到那些遠不可及的地方去尋覓。在這裡，依然可照樣汲取到文化藝術中那種亮麗、宏偉的氣氛與色彩。
有天，我將會靜靜地站在這兒，像這兩張照片中那些群眾，同樣地參與並享受到藝術中所隱藏著之奧妙的氣色與芬芳。
*照片取自 Suzannema 博客中
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发表评论 评论 (15 个评论)
- 回复 rosemyrose
- 若能默默地佇立於巨畫之面前，一定可領略到同一樣藝術中那種轄達、豪邁而又清新之氣概。
- 回复 吉名
To: rubin 你曾经说:
衷心感謝您給大都會博物館這幅巨作的詳細資料及歷史來源，想信大家可從中得到更多的訊息和智識。辛苦您了！
Panoramic view of the the Palace and Gardens of Versailles, 1818–19
John Vanderlyn (American, 1775–1852)
Oil on canvas
12 x 165 ft. (360 cm x 49 m 50 cm)
Gift of Senate House Association, Kingston, N.Y., 1952 (52.184)
On view: Gallery 735 Last Updated October 10, 2011
This magnificent circular-shaped panoramic view of the palace and gar
敬禮！
- 回复 rubin
To: 吉名 你曾经说:
Panoramic view of the the Palace and Gardens of Versailles, 1818–19
謝謝光臨並留言；更謝謝您更充足的好資料。愛好者，若有機會，別錯過！
John Vanderlyn (American, 1775–1852)
Oil on canvas
12 x 165 ft. (360 cm x 49 m 50 cm)
Gift of Senate House Association, Kingston, N.Y., 1952 (52.184)
On view: Gallery 735 Last Updated October 10, 2011
This magnificent circular-shaped panoramic view of the palace and gardens of Versailles, now installed in the American Wing of the Metropolitan Museum, was painted in New York in 1818–19. The artist John Vanderlyn (1775–1852) had visited Versailles a few years earlier and made sketches to prepare his giant canvas. The panorama was first exhibited in a special building called the Rotunda located near City Hall in downtown New York, and subsequently toured around the country. The artist depicted himself, pointing at Czar Alexander I and the king of Prussia standing around the Basin of Latona, beneath the garden facade of the palace. In addition to the remarkably precise rendering of the palace itself, Vanderlyn provides a detailed view over the main axis, or Allée Royale, to the Grand Canal, now appearing somewhat forlorn without Louis XIV‘s pleasure boats. A comparison of Vanderlyn‘s early nineteenth-century rendering of the Versailles gardens and Adam Perelle‘s seventeenth-century prints (20.41.126) shows that, in spite of the slightly barren look of the grounds and lack of floral detail in parterres, the layout of the garden remains essentially as André Le Nôtre designed it in the late seventeenth century.
- 回复 吉名
To: rubin 你曾经说:
謝謝光臨並留言；更謝謝您更充足的好資料。愛好者，若有機會，別錯過！
很好的对比。Suzanne拍得非常精彩！
下图拍摄地址位于纽约大都会博物馆“美国馆”（American Wing）一楼，内容是巴黎郊外的凡尔赛宫园林景色，360度的全景画，纽约客随时可以观看。
