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博物馆如何培养观众--4岁小孩也不放过
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如果你家里有四岁小孩，纽约现代艺术博物馆提供的“四岁小孩的艺术之旅” Tours for Four不仅配备专门的儿童艺术教育专家为小孩讲解，还可以给同行的两名大人免费参观博物馆的方便。
所以，这样的小孩长大之后,就不会说，“去看艺术展览？我不懂啊”。
对他们来说，去看艺术展览，逛博物馆，就像中国人到饭馆吃饭喝茶、女孩子逛商场、到中央公园晒太阳一样，没有什么特别。
如果天气晴朗，博物馆的人流量比较正常，一旦阴天下雨，那些赶集的人就挤进博物馆，那个热闹，就像市场一样。
（Tours for Four，图片由现代艺术博物馆提供）
昨天晚上6点至8点，在现代艺术博物馆参加一个培训课程，结束后发现雕塑花园简直是人山人海，周二是该博物馆闭馆的日子，这个时候，博物馆往往将“公共场所”出租给一些Citi Group一类的大型机构，举办员工聚会。
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发表评论 评论 (4 个评论)
- 回复 红酒不过夜
To: rubin 你曾经说:
儒斌兄，感谢您提供的资讯，还有您的盛情，我会择时前往，再次感谢!
红酒兄，马蒂斯展览上周已开始，要预约票。8月1日和8日我当班，10点半至2点，欢迎带上您的家人和朋友光临，随到随看。
Matisse: Radical Invention, 1913–1917
July 18–October 11, 2010
The Joan and Preston Robert Tisch Exhibition Gallery, sixth floor
View the exhibition site at The Art Institute of Chicago
Purchase the exhibition catalogue
Buy Ticke
- 回复 rubin
- 红酒兄，马蒂斯展览上周已开始，要预约票。8月1日和8日我当班，10点半至2点，欢迎带上您的家人和朋友光临，随到随看。
Matisse: Radical Invention, 1913–1917
July 18–October 11, 2010
The Joan and Preston Robert Tisch Exhibition Gallery, sixth floor
View the exhibition site at The Art Institute of Chicago
Purchase the exhibition catalogue
Buy TicketsPurchase timed tickets
View related events
In the time between Henri Matisse‘s (1869–1954) return from Morocco in 1913 and his departure for Nice in 1917, the artist produced some of the most demanding, experimental, and enigmatic works of his career—paintings that are abstracted and rigorously purged of descriptive detail, geometric and sharply composed, and dominated by shades of black and gray. Works from this period have typically been treated as unrelated to one another, as an aberration within the artist‘s development, or as a response to Cubism or World War I. Matisse: Radical Invention, 1913–1917 moves beyond the surface of these paintings to examine their physical production and the essential context of Matisse‘s studio practice. Through this shift of focus, the exhibition reveals deep connections among these works and demonstrates their critical role in the artist‘s development at this time. Matisse himself acknowledged near the end of his life the significance of this period when he identified two works—Bathers by a River (1909–10, 1913, 1916–17) and The Moroccans (1915–16)—as among his most “pivotal.“ The importance of this moment resides not only in the formal qualities of the paintings but also in the physical nature of the pictures, each bearing the history of its manufacture. The exhibition includes approximately 120 paintings, sculptures, drawings, and prints, primarily from the years of 1913–17, in the first sustained examination devoted to the work of this important period. The exhibition will be on view at The Art Institute of Chicago from March 20 through June 20, 2010.
If you plan to see the exhibition Matisse: Radical Invention, 1913–1917 (July 18–October 11, 2010), please be aware that gallery occupancy is limited. Timed tickets are required and guarantee entrance to the exhibition at the time designated on the ticket, and carry no extra charge. This ticket also permits you access to all other Museum galleries, exhibitions, and films. A limited number of timed-entry tickets will be available each day at the Museum on a first-come, first-served basis. Or, become a MoMA member, and you and your guests can enjoy immediate entry to Matisse: Radical Invention, 1913–1917 anytime, plus a full year of exhibitions, films, educational programs, and more. Corporate Membership does not guarantee timed entry to the exhibition. Check for details regarding Corporate Member access.
The exhibition is organized by John Elderfield, Chief Curator Emeritus of Painting and Sculpture, The Museum of Modern Art, and Stephanie D’Alessandro, Gary C. and Frances Comer Curator of Modern Art, The Art Institute of Chicago.
The exhibition is co-organized by The Museum of Modern Art, New York and The Art Institute of Chicago.
