廖文潭精筆山水作品創作元素

            以台灣山林為素材(山林生態結構長期觀察)

            以心靈造境為構圖(日常生活內在感懷的統合)

            以傳統筆墨為表現(歷代繪畫用筆用墨的技巧)

            以純粹東方為追求(以東方繪畫傳統格式紙、墨、毛筆)

LIAO Wen-tan’s Creation elements

on closely-knitted brushstroke landscapes

             Source material which comes from observation of Taiwan mountains

             (long-term observation on forest ecology)

                                     Composition which comes from mental perception

                                     (interior feeling integrated with daily life)

             Technique which follows the traditional skill of using pen and ink

             (the skills of using pen and ink on the paintings of past dynasties)

             Stationary which is oriental-oriented

             (paper of traditional pattern, ink and brush used in Chinese painting)