纽约大都会博物馆罗伯特雷曼馆Robert Lehman Wing，在罗曼最喜欢的这件安格尔作品"Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie"前面,
放置一座尼日利亚木雕，
不知道是什么梗。
Jean-Auguste-Dominique Ingres, the neo-classical French artist par excellence, painted this masterpiece toward the end of his life when his reputation as a portraitist to prominent citizens and Orléanist aristocrats had been long established. Pauline de Broglie sat for the artist’s final commission. Ingres captures the shy reserve of his subject while illuminating through seamless brushwork the material quality of her many fine attributes: her rich blue satin and lace ball gown, the gold embroidered shawl, and silk damask chair, together with finely tooled jewels of pearl, enamel, and gold. The portrait was commissioned by the sitter’s husband, Albert de Broglie, a few years after their ill-fated marriage. Pauline was stricken with tuberculosis soon after completion of the exquisite portrait, leaving five sons and a grieving husband. Through Albert’s lifetime, it was draped in fabric on the walls of the family residence. The portrait remained in the de Broglie family until shortly before Robert Lehman acquired it.Title: Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de BroglieArtist: Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris)Date: 1851–53Medium: Oil on canvasDimensions: 47 3/4 × 35 3/4 in. (121.3 × 90.8 cm)Framed: 61 1/4 × 49 1/2 in. (155.6 × 125.7 cm)Classification: PaintingsCredit Line: Robert Lehman Collection, 1975Accession Number: 1975.1.186
