IAHLS学术季刊JIAHL第十九卷论文目录和内容提要 如下， 有需要本卷PDF文档者，请和学会秘书处信箱联系：2805532604@qq.com

Vol. 19list

1、The preface to the statistics and investigation of the age of surnames in han Dynasty

From P4 to P8By Yu Wanli

2、Prehistoric History of China, Indochina Peninsula, Ancient Bronze Mirror of Vietnam

From P9to P58 By Sun Ruchu

3、On the Origins of the Two-headed Dragon Pattern on the Niche Lintel in the Caves at Mogao ，the Dragon Patterns on Shang Dynasty Bronze Wares and the Character Hong(Rainbow) on Oracle Bone Inscriptions

From P59 to P84 By Li Zhongyao, Li Xiaohong

Vol. 19Content Summary

From P4to P8

With author’s own academic experience involving in anthroponymy from a phonological perspective, the special volume focus on anthroponymy is recommended by him based on his claims that in ancient China surname shi 氏 precede and outnumber surname xing 姓 which can be traceable to the custom of enfeoffment of land after the conquering of Shang territories by the Zhou clan. Setting the true age of historical documents composed as time references to calculate the exact number of Chinese surname, Chronological Survey and Statistic on Chinese Surname written by Zhang Ye aims to study for many relevant recordings inked on seal, bamboo and durably engraved in stone, etc. Zhang Ye reveals that part of the most popular surname occupied a perversely central place throughout the history, thus accompanied with multiple ramifications and variants on solid data collection and analysis, which will inspire the further work in the field of Chinese surname.

2、From P9to P57

Vietnam is adjacent to Guangxi and Yunnan in southern China. The natural geographical environment is the same, the race, the living habit is the same. The Paleolithic Age began to have close ties with southern China. This paper introduces Chinese Paleolithic and Neolithic Stone. Denny, Gansu, China, Melanesian. The economic base of rice farming in southern China. Contribution to the invention and development of painted pottery, black pottery, white pottery, geometric print pottery, glazed pottery and primitive celadon. the source of pottery all over the world. Ancient Chinese jade and bronze ware were produced in the north. To the South. on the cultural impact of Sanxingdui in Sichuan. The guiding role of the ancient cities and Liangzhu civilization in the middle and lower reaches of the Yangtze River to the ancient cities of the Central Plains and the ancient cities in the northThis paper explores the origin of ancient religions in the world. Ancient Chinese religion. It is believed that the Central Plains civilization in China is the product of the integration of southern culture and northern culture. This paper takes the natural geographical environment as the decisive factor. determine the continuous migration and integration of the population in the south and north. This paper introduces the ancient living environment, food, tools, clothes, houses, migration, transportation, religion and other cultural life of the southern and northern nationalities. Try to use ancient evidence to show the history and relationship between China and ancient Vietnam and Southeast Asia. On this basis, the ancient bronze mirror of Vietnam is introduced.。

Before writing this article, I have been looking for an opportunity to introduce different views on the history of Paleolithic and Neolithic in China with ancient evidence. now complete by introducing vietnam bronze mirror opportunity. It's not enough to cover 100,000 words. Before the ancient Chinese prehistoric books in the introduction of Paleolithic and Neolithic convergence is not good. This paper wants to overcome this difficulty. from a new perspective. Because my ability is not enough, please criticize and correct.

Because this article is long, for the readers who understand the history of the Paleolithic and Neolithic in China, they can directly read the history of Vietnam and the bronze mirror part. Please excuse me for the inconvenience.Thank you very much!

3、From P59 to P84

Based on textual description and visual images, this paper discusses the images of dragons depicted in the niche lintels or beams dating from the Northern Dynasties to the Sui dynasty in Dunhuang caves, traces them back to the two-headed dragon patterns (with dragon heads and the body of a snake) in the Shang dynasty bronze wares, and compares these patterns with items on exhibition in Louvre Museum and ancient dragon patterns (two-headed Néo-assyrienneox patters) on Iranian and Egyptian sculptures. The goal of this research is to investigate the connection and difference between the dragon images in Chinese traditional culture and the visual evolution and intended symbolic meaning of the two-headed dragon pattern found in Mogao caves as influenced by sources from the Western Regions of China.