【摘要】戏剧与影视学，问世虽仅十年，但已陷入撕裂。因价值判断圭臬不同，缺乏共同语言，业界与学界“老死不相往来”，学人普遍不谙技术、鄙夷表演难逃其咎。即便在该学科内部，显隐与冷热判若云泥，戏剧戏曲学最孤寂，电影学最高贵，广播电视艺术学最卑贱，失衡与错位昭然若揭。开办这一学科的院校业已冗剩，质量两极分化，参差不齐，供大于求，滞涨严重，就业艰难，不应增容。戏剧与影视，应深入交叉，水乳交融，重构为“戏剧影视学”，构建学术共同体，在“新文科”建设中先行先试，脱胎换骨。

【关键词】戏剧   影视   戏剧与影视学   戏剧影视学    新文科

【英文标题】Prospect from Laceration, Future after Estrangement, on Drama, Film and Television Art in China

【Abstract】As a discipline in China’s university, film and television art has only one decade, but it has dropped into laceration. Industrial didn’t communicate with academe throughout their life, vice versa, due to lacking common value, goal or language, universally owing to scholars are both ignorant of technologies but scorn performance. Even in the discipline, cold or hot differentiate from dominant or recessive so that film shows the noblest, art of radio andtelevision shows the humblest, drama shows the most alone lonely, estrangement of which is obvious, imbalance of which is overt. In China, universities or colleges on this subject are superfluous oversupply, with stagflation, whose irregular polarized quality make various students to obtain employment reasonably difficult, so it should not augment quantity of them. Either three of the discipline or every of the subject should be blended deeply for full amalgamation, to reconstruct an academic community with new rules, discourseand paradigm, via attempting and experiment.

【Key words】 Drama, Film, Television art, Discipline, Amalgamation, Reconstruct

【作者】杨新磊（教授，博士，硕士生导师，影视学家） 

【全文】https://user.qzone.qq.com/1178950730/blog/1621127342

 

                                                                                                              二〇二一年五月十六日